Mobile: +44(0) 7702 196876
Member of the Association of Camera Operators.
Experienced 2nd Unit DOP
Experience with 35mm film, 16mm film, Digital Cinematogrphy cameras inc. Alexa, Red, Sony
Sony NEX-FS100 Owner Operator
Steadicam Owner Operator
Worrall Geared Head Operator/Owner
Available for Main Unit, Second Unit or Dailies.
Experienced DOP, Camera Operator and Final Cut Pro Editor.
DOPs worked with include the late Paul Beeson BSC, Paul Wheeler BSC and Alan Trow BSC.
Experienced with "High end" Cameras such as Sony F65/F35,Epic, Red and Arri Alexa.
As a DOP I have good connections with Panalux, Onsight and an account at VMI.
I have many years experience working in the Camera Department and am experienced with both film (16mm, Super 16, 35mm) and Video (both Digital (inc: Digibeta and HDCAM/HDCAM SR) and Analogue) and file based formats (including Sony F65/F35/F3, Red, Epic and Arri Alexa) and video DSLRs such as the Canon 5D Mk II..
I can provide a Super 16 Arri SRII Camera plus full Camera and Lighting crew.
I own a Sony NEX-FS100 S35 HD Camera plus 35mm lenses, Mattebox, Follow Focus etc, a Sony HVR-V1E HDV Camcorder which, as well as recording HDV internally, can record full HD (including uncompressed and all forms of Proress) when linked to an external recorder and a Sony DSR PD 170p DVCAM Camcorder.
As an Operator I have experience of using both fluid and geared Heads (including O'Conner, Ronford and Arr and own a Worrall Geared Headi). I have worked off of dollies, jibs, Snake Arms etc and have experience of remote heads (including 3 axis), both on jibs and cranes, and Motion Control (soft wheel rigs). I have also worked off the back of tracking vehicles and am Steadicam trained.
As an Editor I have many years experience editing productions on Final Cut Pro and own both Final Cut and Lightworks).
I have experience of Blue/Green Screen.
I have experience of 3D rigs, both "beam splitter" and "side by side."
I am familiar with most 35mm adapters.
I can provide full Camera Crew who are trained to use both film(both 16mm and 35mm), tape (including Digibeta and HD) and 4K digital (Red Camera/ Arri Alexa).
I have a long association with a gaffer who freelances for Panalux, an association which has, in the past, resulted in me being able to get lighting equipment at very reasonable rates.