Prometheus - 20th Century Fox/Scott Free
, United Kingdom
2011 - Editor, Assistant
Working in a Second Assistant Editor role, on director Ridley Scott's return to the Science Fiction genre. The film was shot in stereoscopic 3D at 5K on RED Epic, and cut at the offline stage in 3D at DNxHD 115 on Avid Media Composer Version 5.
Hoby City - BBC
, United Kingdom
2011 - Editor, Assistant
The popular BBC One drama series, shot on P2 and edited at AVC-Intra 100 on Avid Media Composer Versions 4 and 5. Duties included ingesting, labelling, and organising the rushes for the editors, DVD layoffs, pre-grade master layoffs to HDCam SR, AAF exports, video file exports, and adding episode credits. The role also required effective management of the Avid Unity system.
Katherine of Alexandria - Spiked Wheel Films Ltd.
, United Kingdom
2010 - Editor, Assistant
Shot on RED and cut in Final Cut Pro, working at the offline stage with transcoded ProRes 422 clips. Worked as Assistant Editor during a one-week preliminary shoot. Principal duties were importing and syncing the rushes, and the general organisation of the Final Cut Pro project.
Charley Boorman: Sydney to Tokyo By Any Means - Big Earth
, United Kingdom
2009 - Editor, Assistant
The second in the series, again produced by Big Earth. Alongside the duties performed on the first series, this expanded role also consisted of cutting the series' opening sequence and numerous promo clips. The role also required the general administration of the entire project, running on Avid Unity, across a total of 5 edit suites, and 3 more Avid systems in the production office.
Charley Boorman: Ireland to Sydney By Any Means - Big Earth
, United Kingdom
2008 - Editor, Assistant
A six part series produced by Big Earth, initially broadcast on BBC2 then shown on National Geographic in 2009. Principal duties were the digitising and logging of rushes, and editing an assembly for each shooting day of around one hour, from between 5 and 8 hours of rushes. The role also involved adding graphics and voiceover to the locked cuts in advance of the online edit and tracklaying for the M&E mix, alongside directly liaising with and assisting the series' editors.
The Story Of... - Magnet Films
, United Kingdom
2007 - Editor, Assistant
Produced by Magnet Films, a feature-length British comedy directed by James Abadi. Principal duties as Assistant Editor included digitising telecined 16mm rushes from DigiBeta, digitising of audio from DAT, and syncing and subclipping each take. Other duties included an audio pass on the first assembly of the film.
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